beginners

Grays can be a real problem in threads. You think you have found the perfect one, you get it home and UGH, it looks horrible with your other threads.

This is because there are three types of grays, warm, cool, and neutral. Warm grays have gray plus a bit of a warm color. Cool grays have gray with a bit of a cool color. Neutral grays are just mixtures of black and white.

If you pick a grey for an all-cool color piece and it’s a warm grey, you get that UGH feeling. A neutral, or even better, a cool gray will look great.

But often it’s hard to tell.

Here’s what to do at a shop or when shopping your stash.

Take a skein of red thread and with a skein of blue thread. Put one next to a possible gray thread. Then do the same wit the other thread. If it is a neutral gray, it will look warm next to the blue thread and cool next to the red thread.

If it doesn’t do both, it isn’t a neutral gray.

I get home from Phoenix late tonight or early tomorrow, so my TNNA reports will start on Wednesday.

Related posts:

  1. Types of Color Schemes
  2. New Threads
  3. Is that Thread Colorfast?
  4. Beyond the Box – other places to find Needlepoint Embellishments
  5. Deciphering Thread Tags

Read the rest here:
How Do I Find a Neutral Gray Thread?

One of several new needlepoint kits designed by Anna Maria Horner

Anna Maria Horner has branched out into needlepoint kits. They are created in conjunction with Anchor UK and will be available later this year (no firm date or price yet).

If you are not familiar with her work, she is a multi=talented designer in needlework, sewing, and other crafts.

Horner plans to sell them in her shop.

Pictured is just one of four pieces she show off in a recent post on her blog.

Related posts:

  1. What Makes Something Scrap Bag Needlepoint?
  2. Needlepoint Eye Candy
  3. Anna Marie Winter’s Outstanding Technique Site – Web Site Review
  4. New Idea in Kits from Ehrman
  5. Needlepoint Barrette Kits for Beginners

See the original post:
Anna Maria Horner Makes Needlepoint Kits

Barbara’s colorful stitch painted canvases are so pouplar with stitchers and it’s easy to see why.

Being carefully stitch-painted, some with the stitch patterns actually painted on, even a brand-new stitcher can make something great.

Her bright Lily Pulitzer-inspired colors are so fresh and fun.

Finally her designs are whimsical but work well with traditional items, so they play beautifully with others.

On her site you can get a peek at what’s new for January. It includes more of her delightful “kisses,” news belts and brick covers, two summery beach houses, the lovely summer sampler, and a whole ton of design in pink, green, and magenta (some Christmas-themed, most not), that have a wonderful fresh look.

I’m excited to see them next weekend.

Related posts:

  1. Sneak Peek — Melissa Shirley Designs for Summer
  2. Stitch Guides from Barbara Bergsten
  3. Free Stitch Guide from Barbara Bergsten
  4. Rainbow Clown – sneak peek
  5. Silk & Metal Purse – Sneak Peek

See more here:
Barbara Bergsten Designs Sneak Peek

Recently I got two little stitch books that cover basic stitches and that are just the right size to pop into your project bag or purse. Needlepoint Inc’s book is called Simply Stitches and Thread Candy Studio’s book is called Simple Stitches. Both books are small and cover a variety of stitches, suitable for beginning stitchers.

Thread Candy Studio’s Simple Stitches has volume 1 on the cover. It begins with a section on thread use information that is organized by mesh size for 18 and 14 mesh canvas, 28 or 32 count linen over 2, and 7 + 10 count canvas. There is also a little box that has some general guidelines for choosing threads. While most of this information is correct, some of it, especially the suggestions for linen are only appropriate for cross stitch but this is never noted. The next page has an explanation of different types and sizes of needles. This is followed by a few pages of stitching tips, including specific tips for left-handers.

The stitches in this book are in alphabetical order by name with large numbered diagrams. Many stitches have two versions, one for right- and one for left-handers. By careful if you are learning a stitch to use the correct diagram. Each stitch has the stitch family listed, stitch tips, and, for many stitches suggestions for effects or threads.

All the stitches are listed in the index.

Needlepoint Inc’s Simply Stitches is designed to be a quick reference book of frequently used needlepoint stitches. It has no text, just one stitch per page with large clear diagrams. They are also in alphabetical order but a Table of Stitches at the front of the book allows you go directly to the stitch you want.

The stitches cover many beginning stitches as well as some unusual and more advanced stitches.

I prefer Needlepoint Inc’s approach to this kind of book, it has the information I need but in a compact format that will continue to be useful whether I am just learning to stitch or need an easy reference to carry with me.

But both are great little tools for any stitcher.

Related posts:

  1. Stitch Journal from Thread Candy Studio – Product Review
  2. Threadworx Journal – product review
  3. The Stitch Starts Here – Book Review
  4. Stitch Notebook – Product Review
  5. Pansy Portraits – Product Review

View original post here:
Pocket Stitch Books from Needlepoint, Inc and Threadworx – Product Review

Thread Candy Studio debuted a purse-sized stitch journal last month. Each page is about 54 making it small enough to carry around. That’s its strength, but also one of its weaknesses. For those with large handwriting many of the pages and lines are too small to record information.

The book attempts to be a place to hold lots of useful information for stitchers of all kinds. The first section is project notes with a lined page and a table page for about 12 projects. The table has columns for stitch, effect thread, and thread size. A dozen stitches can be recorded. This is plenty for most small to medium projects.

After this there is a wish list section with pages divided into need and wish list. Having this in the same place as other inventories and plans makes it easy to keep track of what’s needed. At the end of this section there are sever pages without labels that can be ised for additional notes or lists.

Following this is a thread section where you can inventory your threads. The first several pages have marked columns for thread name, color, size, need/have. The vast majority of pages have unmarked columns. While this is very useful, I can’t really see anyone but those with the smallest stashes using this for inventory, there just aren’t enough pages.

The next section, design, has pages printed with grids, so stitches can be recorded. These are big enough to sketch a stitch but not enough for a pattern of any size.

The final section is for your project diary with two pages for each project, including a blank lined page and an open area marked “notes” which looks like a good space for a picture.

While there is lots packed into this little book, my main complaint is that the size limits its usefulness. While some people will find the small pages difficult to write on, but the desire to include everything and the small size mean that it can only hold a limited amount of stuff.

But at under $8, you can probably afford multiples. The book comes with three choices of cover color and can be ordered directly from Thread Candy Studio.

Related posts:

  1. Thread Candy Studio – Product Review
  2. Threadworx Journal – product review
  3. Thread Candy Studio & the Economics of Publication
  4. Stitch Notebook – Product Review
  5. Tiny Treasures – Product Review

Go here to see the original:
Stitch Journal from Thread Candy Studio – Product Review

Color can be so evocative of a time or a place. Think of the combination of deep ultramarine blue, gold, linen white and rusty red. Ancient Egypt, right?

Ot what about the terra cotta, black, and golden yellow of Greek pots?

This year’s needlepoint club, Color through the Ages, is going to go beyond the traditional color schemes to look at color combinations that refer to a specific time, place, or object.

Through charted Twinchies (2″square needlepoint) based on quilt designs, club members will explore color schemes typical not just of ancient times, but of the Middle Ages, the Renaissance, and the Twentieth Century, along with others.

Each month you’ll get a PDF instruction packet with the chart, information about the color scheme and something about color of the time, and information about three different threads.

A continuation of 2011′s popular Color, THread, and Quilts Club, you’ll have a chance to expend and extend your knowledge with these delightful little pieces.

The club begins March 1, 2012 and registrations are open now. There are a number of different pricing options, depending on what you want.

Basic Package includes the PDFs of each month’s program. It is $7.50 per month. Use the PayPal button below to register.

Basic Subscription

Deluxe Package includes the PDFs of each month’s program as well as canvas and three thread samples of about 2 yards per month. It is $12.50 per month. Use the PayPal button below to register.

Deluxe Subscription

In addition if you make a single payment for either option (using the buttons below or pay via check (contact me for the address) you will receive a10% discount..

Annual Basic

Annual Deluxe

PLease note that the Deluxe Package prices are for shipment to US addresses only. If you want this option and live outside the US, please contact me. All sales to California are subject to sales tax. If you are in California and choose the subscription, you will be invoiced for the sales tax separately.

Come join me on this journey of exploration.

Related posts:

  1. Color, Threads & Quilts – 2011 Needlepoint Club
  2. Color, Threads, and Quilts – 2011 Club
  3. Stitches & Quilt Blocks — Next Year’s Club
  4. Little Bargello Treasures – 2011 Bargello Club
  5. Christmas Lights – 2010 Needlepoint Club

Originally posted here:
2012 Needlepoint Club – Color through the Ages

Associated Talents now has free PDF guides for a number of their canvases now available on their site.

The guides have color pictures of the stitched canvas, a supply list, color charts of the stitches, and explanations of any specialized techniques used. These include their inventive techniques for both beads and sequins.

Currently more than 20 guides are available and can be seen on their site. Click on any picture and the guide opens in a new window.

This is such a great idea!

Related posts:

  1. Needlepoint Stitch Guides Site Now Open!
  2. What Makes Napa Needlepoint Custom Stitch Guides Special?
  3. Stitch Guides from Barbara Bergsten
  4. Needlepoint Stitch Guides Now Available
  5. Why Some Stitch Guides Disappoint

Follow this link:
Free Stitch Guides from Associated Talents

Originally posted 2007-08-08 06:22:44. Republished by Blog Post Promoter

You know that sinking feeling, the intersection on the hand-painted canvas is more than one color. You don’t know how to decide what color to stitch.

I call deciding this making an “executive decision” in needlepoint. I thought about what the process was for deciding and came up with some guidelines. Although beginners struggle with this issue, it can come up in just about any canvas which is not completely stitch-painted.

If one color covers more of the intersection than the other, stitch it in that color.

If it’s pretty much half and half, then you could do either. To help you choose, you can see if any of these apply:

1. Is it colored in both foreground and background colors? Choose the foreground color.

2. Is it the only intersection which has that color (no intersections with that color around it)? Choose the isolated color because it’s supposed to be a dot of that color.

3. Is it colored a light color and a dark color? Darker colors recede, so picking the darker color will probably make the two areas look more balanced.

4. I one color part of a line? Follow the line on the canvas to see how it will look if this intersection is stitched in that color. I’ve had it happen sometimes when stitching the color of the line instead of the other color made the line look bad.

Sometimes you choose wrong, everyone does. If this happens, don’t be afraid to pull the stitch out and use the other color.

Related posts:

  1. Ideas for Color Experimentation
  2. Stitches, Thread Color and “Show Through”
  3. Two-color Stitch Diagrams Now Online
  4. Controlling the Overdyed Thread – Color Clouds
  5. Color, Threads, and Quilts – 2011 Club

Continue reading here:
What Color Should that Stitch Be?

designs by petei jam needlepoint colors changed and stitched by needlepoint expert janertm perry

Because it was a gift I couldn’t show you, but here’s the finished vintage Petei canvas I made as a quick gift for my daughter.

REmember it probably an 80′s canvas (at least it’s 80′s colors). I brought the color palette up to date (post here) with berry colors for the dusty rose, a dark blue-green for the French Blue, and a very sparkly silver for the light blue edge of the jar.

Then I had major problems with finding the right background (post here). I finally settled on a simple darning pattern using a pale aqua Silk n’Colors.

The canvas was bought on eBay and all the threads came from my stash.

I centered the design to fit a standard 4 x 6 frame from the dollar store (post on using ready-made frames here).

Perfect little gift for my jam-making daughter.

Related posts:

  1. Homemade Holidays
  2. Needlepoint Tote Bag from Finished Pieces in your Stash – 12 Days of Needlepoint Gifts
  3. School Needlepoint Finished
  4. When the Canvas Isn’t Finished – 12 Days of Needlepoint Gifts
  5. Needlepoint Quilt Block Gift Tags – New Free Pattern

More:
Happiness Is Homemade – The Finished Product

The simple answer is NO, not ever, never.

I got this question recently from a reader.

This is the right way to transfer a design to canvas:

No you do not use tracing paper, the material in it will rub off and discolor your threads.

Here’s what you do:

  1. Trace the outlines of your design on the paper with black marker so it is easy to see through the canvas.
  2. Place the canvas on top of the design. If it’s hard to see, tape the design, then the canvas to a window or light box.
  3. Using a permanent marker made for making on fabric (I like Pigma Microns from Sakura myself & they are widely available). trace the lines of the canvas.
  4. Let sit overnight to dry completely before stitching.

YOu can see the steps used to do this in this illustrated tutorial.

I did lots of testing of potential canvas markers and wrote this post about them. I have used other markers and any marker can have the formula for the ink change and no longer be suitable for needlepoint. It’s good to test from time to time.

A final note: Never use anything to mark on canvas that isn’t waterproof, made for fabric, or tested. Always let dry overnight because many things become waterproof only after they dry completely.

Related posts:

  1. Marking Pens & Needlepoint – Naming Names
  2. Transferring a Design to Needlepoint Canvas
  3. The Graph Paper Problem
  4. Punch Up your Metallic Canvas, Part 2
  5. Creating a Simple Design

Read the rest here:
Tracing Paper to Trace Canvas?